Real and riveting, In Every Mirror She’s Black is the perfect read

Imagine the thrilling pacing of gripping genre fiction, the socio-political urgency of literary fiction, and the sharp clarity of non-fiction all thrown together to tell a story that has never been told before: the story of Black women in Sweden. Across class, career, and culture, Kemi, Brittany-Rae, and Muna experience Stockholm in vastly different ways relative to their Blackness but all three are, fundamentally, devastatingly lonely. Solitude is the real story of In Every Mirror She’s Black, a unique distillation of commercial and literary fiction that ultimately hits like a tragedy.

The Go-Between: An upper class immigration story about race and place

After a certain number of years spent authoring, writing about experiences that are not your own simply comes with the territory. In The Go-Between, Veronica Chambers offers a peek into the story of rich Mexican immigrants and how they find out that, moneyed or not, they cannot shed the stain of their origins. The perennially devalued and invisibilised Afro-Latina is particularly well-placed to tell that type of story.

Travelling While Black: Opening readers’ eyes to a unique conversation on what it means to travel in this disoriented world

Nanjala Nyabola offers an insightful look from an experienced explorer’s perspective into how travel intersects with topics like migration, identity and the freedom to move. It’s an insightful read for the average traveller who wants a broader perspective on what it’s like to travel in a world that privileges some but restricts many others from moving around. Nyabola goes everywhere, from giving a voice to victims of domestic and sexual abuse in Haiti to exploring academia’s fascination with romanticising trauma rather than studying the complex cultural system that makes up her own hometown of Nairobi, Kenya.

Shadow Forward: A Review of My Monticello

A debut collection of fiction, these five short stories and novella shape the dust of the past. My Monticello pulsates the contemporary moment’s terror and uncertainty, during which the vestiges of United States chattel slavery grasp the grooves of our fingerprints. As you make your way through this debut collection, think about the living and the dead. Who and what are we the product of, and what is the future of this current birthing? I want us to exercise patience as we wait for the arrival of answers. Are we okay with not knowing?

The title of Dr. Inger Burnett-Zeigler’s Nobody Knows the Trouble I’ve Seen is a phrase that masks the internal woes of existing as a Black woman in the world

Nobody Knows the Trouble I've Seen reminds Black women that we are not superheroes, thus we should not treat ourselves or allow others to treat us as such. Sometimes you don’t realize that you have not been advocating for yourself until you see the proof on the page. Well, Burnett-Zeigler has written 256 pages to remind Black women to take care of ourselves. As a trauma-informed therapist, it is wonderful to see the work I do affirmed by another Black woman.